106 Royalty-Free Audio Tracks for "Low Drone"

A low bassline which is delayed. Watch your speakers while playing:).

Hypnotic mystery tone ambience - low drone with hi freq ring. . Cast off from the johnnie to movie - mad detective.

Made by vocoding a heavily processed field recording into a low fm sound with a sweeping resonant filter.

Hornets trapped. The recorder microphones stuck to the trap. Recorded by an ls100, low-cut at 100 hz.

A subbass sine wave with a slow throb volume envelope and some panning action, designed to work well as a loop or a sample. Created with ableton and audacity.

A droning synth with arpeggio. Cycles between 2 notes back and forth. [cc zero].

A lush and airy pad. Started as a recording of a note on alto saxophone. It contains several resampled/paulstretched layers.

Triple osc, echo. Recorded with low volume and re-recorded with a high output volume.

Ciao ,this is no-fx sample, i've recorded it in a huge abandoned hangar, it is the big iron door, moving it back&forward. ;byef.

Weird tones coming from a synthesizer, creating a sci-fi atmosphere.

Appended series of different recordings of neighbours slamming their doors. Noise reduction and reverb applied.

I created this sound using the ipod app droneo(i do all my recordings with an ipod touch $th generation). It was then processed using the ipod app sample wiz and recorded using the ipod app twisted wave,linked up using the ipod app audiobus. I hope you all enjoy and/or are able to use this.

I accidentally made this in audacity while messing around with a synth i recorded.

A low humming plays at the beginning before the microphone is moved to catch as the person presses the buttons to get a soda, becoming more erratic over time when it doesn't work. Tascam.

Machines, machine, fan, machfan, mach, floor fan, tower fan, indoor fan, indoor, electric fan, electric, electronic, electricity, air conditioners, air con, ac, hvac, air, air handling, airflow, flow, ventilator, spin, spinning, wind, blow, blowing, low, low rumble, rumble, drone, roomtone, boiler room, boiler, steam room, steam.

Dsgnmisc, dsgn, designed, bass, deep, low, drone, rumble, texture, textural, bypass, pass, ominous, tension, tense, spooky, strange, eerie, sci-fi, alien, click, clicking, panning, movement, reverb, delay.

Some sweepish sounds. Synthesized with "vacuum pro" vsti from air, the patch was a unmodified "500msvph"added effects with a "tassman 4" vst filterbank, multiple low pass filter with some oscillation. Echo was enable in a part of this whole creation.

Sound created with electric guitar phil proeffects used in post:in guitar rig 4:1. Tube compressor2. Ac box amp3. Studio reverb4. Twin delayin audacity:compressorspeed slow down (-0. 600).

Ambience recording from basement staff area of a hotel outside the plant room. Low droning sound and pulsing noise. Could be good for spaceship ambience.

Free improvisation on a triple osc. . . Subnotes. Effects: asio driver bugs, compressor, a little reverb.

An artistic experiment searching for sound emissions and the limit of human hearing. Composed of infrasonic material that have a low acoustic impedance. Humans will be able to identify tones as low as 12hz. Natural and human produced infrasonic sounds is anywhere, all the time. The artistic idea was to use background noises, signal fidelity, harmonic distortion, low-frequency in order to foster a soundscape of infrasound that travels through space. Made for project that was never released. Think somebody might enjoy or use it.

Synth phrase in d minor. Looped and used many times in live performance as a pad, kind of a drony texture with delays.

A simple patch on my modular going through zoom ms-70cdr spacehole reverb. The effect is based on the famous eventide space blackhole.

Synthesized drone. Created using the electribe 2 with its synth engine. Post-processing was done in cubase. More stuff in a similar vein:http://freesound. Org/people/cabled_mess/sounds/333638/http://freesound. Org/people/cabled_mess/sounds/333639/https://www. Pond5. Com/video-sound-effects-music-after-effects-photos-illustrations-images-3d-models/1/clipbin%3a1113500. Html.

This a amaj drone tone created from an orchestra tuning sound segment (http://www. Freesound. Org/people/acclivity/sounds/24205/). Through an harmonic model, the low brass section have been separated of the trumpets and then a series of harmonic (harmonizer) transformations have been done in order to include a major third and a perfect fifth in the f0 = a2 harmonic serie. The a tuning is a little bit down from 110hz (~106-107hz).

2 lengths of 3 different pitches of this low cinematic squelch bass. Played once with a large reverb and again played dry with no fx. This sound is modeled after the inception movie's large horn blast. It is a low multi-voiced saw wave with a specific ring modulation setting to give it it's effect. This sound is rendered as a 44100 sample rate 16 bit wav file. Made with native instrument's massive inside ableton live 9.

Created with granular synthesis. Something related to a spaceship, engine room, another drone sound; could be a distant low end for a pad, as it is tonal (a note). Will loop if you crossfade between start and end. Enjoy. Https://soundcloud. Com/vospi.

Squeaky audio cable-to-speaker incomplete connection. One end is plugged into a speaker and the other is not plugged into anything. The squeaking sound is made from my fingers touching the tip and sides of the metal tip of the non-connected end of the cable. The variation of sound and pitch is from moving my fingers up and down the metal tip in different speeds, angles, and placements. The sound has been slowed way down, and the pitch has been taken way down too, to create a low drone sound for industrial purposes or in mad chemistry lab scenes, etc. Anything with a dark, industrial, and slight sci-fi feels.

Very low pitched and subtle rumbling. Protoplasm vst custom settings, applied effects delay, chorus, eq,rendered in fl studio @ 140bpmthe letter and number in the file name represent the note location of the sound.

Maximus-simple 1 band limiter. 7 band eq-low filter 2. Delay-3 echoes. Vocodex-reverb 1. Reverb-the venue 2. C3+c4. Tempo140.

Contact mic recording of a large folding clothes hanger/dryer. Tapped on the stems for hanging clothes to create some weird drone/percussion hits. Recorded with a lom geofon contact microphone into a sony pcm-a10 handheld recorder.

Simple patch. Two oscillators, ring modulation, lfos, vcas and digital effects. No spring reverb this time. Important module is the clock divider. Result a generative ambient patch and sound. I recorded for 1,5h. The synth gave me some strange slow crescendo. Don't really know why. This is the last 30 min. Space drone sci-fi sound.

H4n recording of an automated vibrating mirror surface at an art event. The vibration responds to the proximity of objects, thus the wavering in intensity. - i use this one a lot, i'd love to know what you do with it -.

Space game title menu, made for 2015's global game jam. Various beeps, low drones, artificial breathing, and my brother trying to speak to me on a distorted cell call. Sound samples used:http://freesound. Org/people/erdie/sounds/48512/http://freesound. Org/people/kijadzel/sounds/170608/http://freesound. Org/people/freqman/sounds/32329/http://freesound. Org/people/skullsmasha/sounds/123253/http://freesound. Org/people/juskiddink/sounds/57625/.

Mechanical synth swell fx pad. Kinda dark undertones with a bit of distortion. Licence: cc 0.

Some wind was blowing through some wooden blinds in my house and making this obnoxious howling sound, so i captured some of it :p. Recorded with a rode nt1.

A typical summer soundscape on the bank of the ohio river in southern illinois. The low, drone of a huge barge can been heard. Also, the higher-frequency insects are also heard from time to time. Sound recorded on saturday july 28th, 2018 at 2:00pm using the sound devices 702 and the audio technica bp4025 stereo microphone.

As usual. . A triple osc was used. I played with the different possibilities. . . Sine, triangle, saw, square waves were used here. It may cause damage on high volume (maybe?). Effects: phaser, reverb. After recording, the entire soundshape was inverted.

Arturia microbrute synthesizer through guitar rig on low quality direct into the built-in tape deck. Cut in ocenaudio. It's always nice to hear what projects you use these sounds for. Let me know. ;-). Please also check out my pond5-profile for more:http://www. Pond5. Com/artist/cabled_mess.

A tense but pretty still athmosphere created with a number of tools by me. Got some subtle movement in it and consists of several major parts. If you need a particular section of it, then use volume, proximity vst and reverb automation to smooth edges out. You can listen to my music at http://vospi. Com/.

A pluck on a jew's harp. Recorded late at night in my bedroom on a samsung mp3 player. I enhanced it to the best of my abilities in audacity since the original recording had a low bitrate (64kbps mp3), the volume was low and it had a lot of static noise. Unfortunately the recording have a lot less warmth to it than the instrument has in reality. I am not sure of the tone of the harp but i believe it is a c, if it is not please let me know. 1 of 15.

I played arbitrary co-soundings on the mystic scale (it becomes mystic arabian if you mimic arabian music; otherwise is sounds european). I applied 300 hz steep low pass (eq) on an inverse sawtooth soundwave generator. I applied many delay effects in tandem. Created on fruity loops and re-equed on wavelab. Mystic(has three submodes, scale-shifts [same intervals, overall shifted]). • do, re#, mi, sol, sol#, si• do, do#, mi, fa, sol#, la• do#, re, fa, fa# la, la#. (semitonally/fret steps: 0, +1, +3, +1, +3, +1, +3). (si = ti, do = c). It is chordable.

From the depths of the industrial zone on zarkon. This loop is a combination of various 'found sounds' one is a focke wulf 190 bmw engine sound dropped in pitch, a squeak from a universal joint on a suspension system and a loop of an industrial guillotine. Chopped looped tracked assembled and reverbed in roxio sound editor.

. Wav created from a "save us" image in a frame. . Added and lowered some frequences with some eq. Simple in and out automation low pass filter. Fade with volume. And a bunch of compression. When you use this noise. Just remember, this was created from an image that said, save us.

Close-up recording of a pc fan with a zoom h-5. Post-processing done in cubase. It's always nice to hear what projects you use these sounds for. Let me know!. If you want more cc0 sounds, please consider supporting me on flattr. Https://flattr. Com/profile/cabled_mess.

Switzerland, graubunden - at the surface of the lake, ice is melting and crisping…. Sound recorded by a ms setup schoeps microphone ccm41&ccm8;sound devices 552 mixer + sound devices 744t recordermicrophone are into a zephyx windscreen really close to the ice in this casems is encoded in stereo left-rightrecorded in 2011. More sounds on http://www. Felixblume. Com. Please rate the sound or comment it if you like it !.

Session 1, find more koto in this sound pack. The recorder wasn't optimally placed in the session 1 recording, so sometimes you might hear some low impact noises transitioning through the table to the recorder. Some eq (low cut) should be able to fix this. We went to my friend's father to record a koto, a traditional japanese zither-like (table harp) instrument, consisting of a large wooden base with long strings for plucking. The strings are tuned in the japanese pentatonic scale, allowing a mystic, mysterious, beautiful harmony. It was my first time ever playing this instrument, so don't expect wonders lol. But i tried to "feel" the instrument as well as i could, working from my limited keyboard and guitar playing skills. I improvised simple patterns, and also tried to work with call and response ideas, and bass notes, plucking the low strings with my fingers, and then plucking the high ones with a pick. Happy listening, chopping, and remixing!. In kashiwa, chiba, east of tokyo. Mid october 2016. Zoom h2n stereo ms recording in 96khz, 24bit.

I was just going through my sounds, when i decided "hey. . . I'm gonna release this. " so here you all go! i'm really proud of how this turned out. This, as you can tell, is a deep eerie ambience loop. It can be used for anything you want. I like to leave things up to the imagination of the audience. How it was made:. Software used:-fl studio 20-harmor-harmless-fruity parametric eq 2-valhallaroom. So basically what i did was get a low pitch sawtooth waveform, put it through some effects like harmonization, a low pass filter with high resonance, a phaser, and a load of distortion. The main synth is made with harmor. (yes, this is all one synth. It just has a lot of dynamics. ) i then processed it with some eqing. What made this sound what it is would be the reverb. I put 2 layers of valhallaroom on the synth. One has a very short decay time, and gives it texture. The other gives it the atmosphere. To add some more depth, for the final touch, i layered a sub-bass underneath it. Which is just a low sine-wave with reverb on it, which i used harmless to make. I hope you enjoy this!.

Snippets from recordings of me playing the tanpura. Tuned to c sharp, the notes from top to bottom are g sharp, a sharp, c sharp, low c sharp. In traditional indian tuning the c sharp is the root note (first note in the scale) and referred to as sa. The fifth note (g sharp in this scale) is referred to as pa and the sixth note (a sharp) is dha. The pack contains recordings of the more traditional pa-sa-sa-sa type rythmns, as well as some experimenting with short bass lines, riffs and slap bass drones!. Before you say "a tanpura should not be played in such a way" please be comforted by the fact that this is not a traditional tanpura (and will never sound or be able to be played exactly like a traditional tanpura) it is part of the swar sangam, which combines the four drone strings of the tanpura with 15 harp strings. I am only playing the tanpura part in these recordings.

This is a sci-fi ambient drone sound i made. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. For those curious how i made this, i took a quick 8-second drum loop from my pocket operator po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. The program's based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Then i imported the file (we'll call it file a) into reaper, my daw. Track 1 has reaeq with a high-shelf acting like a low-pass. Its curve is set at 1386. 2 hz, gain at -inf, and bandwidth at 2. In retrospect, i have no idea why i didn't use a low-pass. Track 1 has a send to a blank track 2, which has a fab-filter pro-q 3 high-pass filter with a 12db slope. It's at 320. 57hz, q is 1. 096. After the eq, track 2 has valhalla shimmer set to the black hole preset with no changes. Track 3 is the default file a with valhalla shimmer on the black hole setting, but with two tweaks. Low-cut is at 30hz, high-cut is at 6630hz. Everything else is the same. That's followed by fab-filter pro-q 3 with these eq settings:-0. 72db at 69. 463hz, q at 1. 007. -1. 11db at 536. 64hz, q at 1. 013, dynamic eq (click "make dynamic" and leave everything as-is). The point of this dynamic eq is to give a slight drop in gain in the 500hz region, which tends to get muddy in larger mixes. I wasn't sure if i'd use this for a larger project, and i didn't want build-up in that region from the already large-sounding track 1 and 2. The ocassional eq drops here also adds a warble to the final mix that helps sell an analog, electrical sound. +0. 85db at 3697. 3hz, q at 1. 009. This is to add subtle airiness to the drone. It seems weird to have "airiness" in the 3-4k region, but it's the sort of rumbliness of the sound traveling away and dissipating in the atmosphere after the lowest drone sounds. My volume fader settings for all 3 tracks:. Track 1: -8. 59 dbtrack 2: -6. 46 dbtrack 3: -6. 43 db. On my master bus, i have izotope imager 9 with these settings:. Band 1: width at -100 (mono) for 59hz and below. Band 2: nothing at 60hz to 525hz (width at 0). Band 3: width at 48. 1 for 526 to 1. 4khz. Band 4: width at 49. 4 at 1. 4khz and above. Stereoize is set to 6. 4ms on mode i. And that's it! no compressors or limiters anywhere, since i liked how dynamic the actual tracks were and i figure you can always add your own compressor or limiter to the final if you want. I've also added the original po-33 drum loop on my page, as well as the loop after it was run through akaizer but before it hit reaper in case you want to do your own processing. Enjoy :).